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The Deposition

Master of the Saint Bartholomew Altarpieceabout 1500-5

The National Gallery, London

The National Gallery, London
London, United Kingdom

The removal of Christ’s body from the Cross takes place in what appears to be a shallow gilded niche. The setting, with its stiff geometric decoration around the arch, may be intended to resemble contemporary tabernacle altarpieces, which included three-dimensional carvings set beneath a canopy and were sometimes decorated with this kind of elaborate tracery.

A nimble boy at the very top of the painting attempts to support Christ’s weight while clinging on to the arm of the Cross, hooking one ankle over it to prevent himself from falling headlong. Joseph of Arimathea, who had offered up his family tomb for Christ, supports his upper body, which is received by Nicodemus, who, according to the Gospels, believed that Christ was the Son of God. The Virgin Mary is slumped on the ground, supported by John the Evangelist, while Mary Magdalene clasps a tense, bony hand to her head in shock and grief.

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  • Title: The Deposition
  • Creator: Master of the Saint Bartholomew Altarpiece
  • Date Created: about 1500-5
  • Physical Dimensions: 74.9 x 47.3 cm
  • Medium: Oil on oak
  • School: German
  • More Info: Explore the National Gallery’s paintings online
  • Artist Dates: active about 1470 to about 1510
  • Artist Biography: The Saint Bartholomew Master (or Master of the Saint Bartholomew Altarpiece) is named after the painting from the church of St Colomba, Cologne (now in the Alte Pinakothek, Munich), which shows Saint Bartholomew accompanied by Saint Agnes and Saint Cecilia. His real name is not known. The painting was probably made about 1505-10. The panel of 'Saints Peter and Dorothy' in the National Gallery may have been the left wing of this altarpiece. The Saint Bartholomew Master was the leading painter in Cologne in the late 15th and early 16th centuries. Two other altarpieces by the Master survive at Cologne, and there are many smaller religious paintings and some portraits attributed to him. Like Stephan Lochner, his famous predecessor in Cologne, the Saint Bartholomew Master was deeply influenced by Netherlandish painting, particularly that of Rogier van der Weyden. His style is characterised by its expressive figures and by its distinctive use of ornament as a means of expression.
  • Acquisition Credit: Bought, 1981
The National Gallery, London

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