ncontro tra la Dora e il Po (Meeting of the Dora and the Po),1985,consists of two distinct installations, one created inside a room of the museum, the other located outdoors, on the building ’s terrace. The point of departure for the conception of the work was an architectural element of the Castello di Rivoli, the marble slabs that make up the building ’s cladding and form its corners. Nordman treats this element almost as an archetype.