• Title: The Emperor Napoleon in His Study at the Tuileries
  • Creator: Jacques-Louis David
  • Date Created: 1812
  • Physical Dimensions: overall: 203.9 × 125.1 cm (80 1/4 × 49 1/4 in.) framed: 243.9 x 165.1 x 15.2 cm (96 x 65 x 6 in.) framed weight: 63.957 kg (141 lb.)
  • Provenance: Commissioned by Alexander, marquis of Douglas [1767-1852, from 1819, 10th duke of Hamilton], Hamilton Palace, Strathclyde, Scotland;[1] by inheritance to his son, William Alexander Anthony Archibald Douglas, 11th duke of Hamilton [1811-1863], Hamilton Palace, Strathclyde, Scotland; by inheritance to his son, William Alexander Louis Stephen Douglas-Hamilton, 12th duke of Hamilton [1845-1895], Hamilton Palace, Strathclyde, Scotland; (Hamilton Palace Collection sale, Christie, Manson & Woods, London, 17 June - 20 July 1882 (8 July), no. 1108); bought by (F. Davis), probably buying for Archibald Philip Primrose, 5th earl of Rosebery, [1847-1929], London;[2] his son, Albert Edward Harry Mayer Archibald Primrose, 6th earl of Rosebery [1882-1974], London; sold 15 June 1951 to (Wildenstein & Co., London and New York); sold February 1954 to the Samuel H. Kress Foundation, New York;[3] gift 1961 to NGA. [1] Two of the three lists that David made of his works mention the NGA painting: "List B," compiled about 1815, describes it as "Le portrait en pied de l'Empereur représenté dans son Cabinet. Tableau pour l'Angleterre" (Schnapper, Antoine, et al., _Jacques-Louis David 1748-1825_, exh. cat., Louvre and Versailles, Paris, 1989: 20); "List C," dated 1819, refers to the original painting under no. "49. _Napoléon_ en pied dans son cabinet.--Pour le marquis Douglas en Angleterre" and to David's copy of it under no. "50. Une répétition du même avec des changements dans l'habillement.--Pour M. Huibans" (Wildenstein, Daniel, and Guy Wildenstein, _Documents complémentaires au catalogue de l'oeuvre de Louis David_, Paris, 1973: no. 1938; Schnapper et al. 1989: 21). [2] According to a 31 January 1977 letter from Sotheby Parke Bernet to David E. Rust, in NGA curatorial files, F. Davis was a London dealer who almost always purchased for the earl of Rosebery. [3] The bill of sale (copy in NGA curatorial files) is dated February 10, 1954, and was for fourteen paintings, including _Napoleon in his study_; payments by the Foundation continued to March 1957. See also The Kress Collection Digital Archive, https://kress.nga.gov/Detail/objects/2148.
  • Medium: oil on canvas

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