This is no mere imitation of Cuyp’s Maas at Dordrecht. Callcott looked very closely and borrowed many elements, including Cuyp’s composition and use of colour and light, but he chose a larger format and an English location: the harbour of London.
Augustus Wall Callcott, The Entrance to the Pool of London, 1816, Canvas, 153 x 221 cm, Bowood House
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