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The Finding of Moses

Paolo Veronesec. 1581/1582

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

This painting is one of several variants by Veronese of the subject, some completed with workshop assistance. It depicts a biblical account from Exodus 2:3–10. The infant Moses was placed by his mother in a basket and hidden beside the river, to escape the edict of the king of Egypt that all male offspring of the Israelites should be slain at birth. The basket was discovered by the king’s daughter when she came to the river to bathe with her maidservants. Seeing the princess take pity on the child, Moses’s sister Miriam, who had been keeping watch from a distance, approached and offered to find a nurse for him. In this way, Moses was saved and brought up by his own mother.


Veronese imagined the event in contemporary terms and showed the princess wearing a magnificent robe of gold and silver brocade and copious jewelry, surrounded by a courtly entourage. In the immediate foreground, an African servant holds the now-empty basket. The kneeling woman holding the baby is presumably Miriam, and the older woman preparing to wrap him in a cloth is his mother. In the left middle ground, two other servants, apparently unaware of the remarkable discovery, have undressed to their shifts and are preparing to bathe in the river.

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  • Title: The Finding of Moses
  • Creator: Veronese
  • Date Created: c. 1581/1582
  • Physical Dimensions: overall: 58 x 44.5 cm (22 13/16 x 17 1/2 in.) framed: 81.12 × 67.95 × 7.3 cm (31 15/16 × 26 3/4 × 2 7/8 in.)
  • Provenance: Louis Michel Vanloo [1707-1771], Paris; (his sale, Paris, 14 December 1772, no. 2); purchased by (Augustin Ménageot, Paris) through Denis Diderot [1713-1784], Paris, for Catherine II, empress of Russia [1729-1796], Saint Petersburg;[1] Imperial Hermitage Gallery, Saint Petersburg; purchased November 1930 through (Matthiesen Gallery, Berlin; P. & D. Colnaghi & Co., London; and M. Knoedler & Co., New York) by Andrew W. Mellon, Pittsburgh and Washington, D.C.; deeded 1 May 1937 to The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[2] gift 1937 to NGA. [1] The title page of the 1772 Vanloo sale catalogue indicates the sale was to be "à la fin de Novembre" (at the end of November), but the listing by Frits Lugt (no. 2083 in volume 1 of Fritz Lugt, _Répertoire des Catalogues de Ventes Publiques_, 4 vols., The Hague, 1938-1964), refers to his no. 2086, which indicates the Vanloo sale took place 14-17 December. The details of Ménageot's role in the sale to Catherine II are outlined in a letter of 19 January 1997 from Dr. Nicole Willk-Brocard, and her article "Augustin Ménageot (ca. 1700-1784), Marchand de Tableaux. Quelques Jalons," _Gazette des Beaux-Arts_ (April 1998): 161-182 (both in NGA curatorial files). [2] Mellon purchase date and date deeded to Mellon Trust are according to Mellon collection files in NGA curatorial records and David Finley's notebook (donated to the National Gallery of Art in 1977, now in the Gallery Archives).
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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