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The Flight into Egypt

Benedetto Briosco1484

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

  • Title: The Flight into Egypt
  • Creator: Benedetto Briosco and Tommaso Cazzaniga
  • Date Created: 1484
  • Physical Dimensions: overall: 61 x 61 x 13.65 cm (24 x 24 x 5 3/8 in.)
  • Provenance: Tomb of Pier Francesco Visconti, count of Saliceto [d. 1484], in S. Maria del Carmine, Milan.[1] Vercellino Visconti. Prince Belgioioso, Milan. Prince Trivulzio, Milan;[2] (Jacob Hirsch, New York), by at least May 1937;[3] purchased January 1952 by the Samuel H. Kress Foundation, New York;[4] gift 1952 to NGA. [1] The original location of this relief and NGA 1952.5.90 has been mistakenly given in the literature as either S. Marco in Milan or the Certosa in Pavia. They are part of a group of five reliefs with the same provenance; two others are in The Nelson-Atkins Museum of Art, Kansas City, Missouri, and one is in the Cleveland Museum of Art. Ulrich Middeldorf, _Sculptures from the Samuel H. Kress Collection: European Schools, XIV-XIX Century_, London, 1976: 55-57, provides a thorough discussion of their history. Information about the two reliefs owned by the NGA came originally in a bill of sale from Jacob Hirsch to the Kress Foundation for three sculptures, including NGA 1952.5.90 and NGA 1952.5.91 (copy in NGA curatorial files). It described the reliefs as coming "from the tomb of the Dukes Saliceto Visconti once in the Certosa of Pavia," and also says they had "been in the Palace of Prince Trivulzio in Milan since the early 18th Century, apparently after the tomb had been dismantled..." In a letter of 10 January 1955 to Perry Cott (in NGA curatorial files), Hirsch writes that this information had been given verbally by the "Major Domo of the Prince Trivulzio," who said the monument had "been demolished about 1740, and the reliefs transferred at that time to the Palazzo Trivulzio in Milan." However, a letter of 22 July 1955 from Professor Gian Luigi Barni to David Finley referred to the reliefs as "della Tomba Visconti di Saliceto gia nella chiesa del Carmine di Milano," placing them in their correct original location. [2] The Visconti, Belgioioso, and Trivulzio names are per Middeldorf 1976, 55. He writes (56 n. 9) that D. Sant'Ambrogio, _Archivio Storico Lombardo_, XVIII, 1891: 403, "gives a plausible account of the descent of the reliefs through these families by inheritance, without giving genealogical details." [3] Hirsch lent the relief to an exhibition at the The Fogg Art Museum in 1937. [4] The bill of sale (see note 1) is dated 30 January 1952.
  • Rights: CC0
  • Medium: marble, partly gilded
National Gallery of Art, Washington DC

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