Joseph, Mary, and her newborn son, Jesus, have fled Bethlehem and are on the road to Egypt. They are escaping from King Herod, who wanted the child killed. Rather than focus on their urgent flight, Carpaccio shows the Holy Family mid-journey, their pace unhurried. Joseph urges the plodding donkey onward and looks back caringly at Mary and the child. The setting is tranquil, with dawn breaking over a lush landscape and a meandering river.
This story tapped into the growing popularity in sixteenth-century Venice of Saint Joseph as an ideal father. It also enabled Carpaccio to showcase his talent for depicting textures, from the donkey’s fuzzy fur to Mary’s almost metallic cloak. Such a family subject would have been appropriate for display in the home.
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