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The Floating Embassy

New Landscapes Institute (Joni Taylor, Ben Blakebrough, M.A.C Studio + Ant Farm)2022

Biennale of Sydney

Biennale of Sydney
Sydney, Australia

The Floating Embassy is an ongoing, collaborative project by the New Landscapes Institute (NLI). It was inspired by Ant Farm’s Dolphin Embassy (1973–1978), the utopian art and architecture collective’s un-built proposal for an ‘interspecies communication station’ on Australian waters in the 1970s. NLI’s project consists of a mobile pontoon, an archival display inside Pier 2/3, and a series of programs investigating how experimental spatial practices can respond to our changing oceans and waterways.

'Designed and built as a collaboration, the mobile pontoon is site specific and facilitates creative research in response to its locations on and around water. It explores what a contemporary Floating Embassy might be today, re-situating the experiment within our current urban condition. Bringing together artists, architects, designers, marine researchers, and the public, it will host a series of discussions on water, allowing small groups to float temporarily in non-human aquatic space. The furniture on board responds to and exaggerates the sandstone topography of the Sydney harbour shoreline and can be adapted for either ‘Exhibition, Roundtable or Contemplation / Isolation modes.''—New Landscapes Institute

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  • Title: The Floating Embassy
  • Creator: New Landscapes Institute (Joni Taylor, Ben Blakebrough, M.A.C Studio + Ant Farm)
  • Date Created: 2022
  • Location: Pier 2/3 Walsh Bay Arts Precinct, Sydney, Australia
  • Provenance: Commissioned by the Biennale of Sydney with generous support from Australia Council for the Arts and Create NSW, generous assistance from the City of Sydney and Noakes Group and made possible with the support of the Artists at the Armory program, Sydney Olympic Park Authority
  • Type: Installation
  • Rights: Biennale of Sydney
  • Medium: floating installation; screenprint on plastic mounted on paper and offset lithography on paper; prints; mixed media; video; hand coloured brownline
  • Edition: 23rd Biennale of Sydney (2022): rīvus
Biennale of Sydney

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