The hour that hears

Drawing, fresco and painting on glass are some of
the techniques Giuseppe Caccavale experiments
with. In the mural on display, the artist intervenes
with manual skill on the walls magnifying some details
of Pisanello’s Codex Vallardi (now in the
Louvre), on which he “deposits” the lines of the
poem Sul molo di Civitanova by Massimo Gezzi. The
Archive of Memory is placed inside a structure containing
a monitor, on the screen a sequence of heterogeneous
moments of art history.