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The Idolatry of Solomon

Pietro da Cortona1622-23

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Pietro da Cortona was one of the most successful and active fresco painters in Rome in the mid-1600s. This drawing is a preparatory sheet—highly worked-up with many different mediums—for one of the artist's six frescoes portraying the story of Solomon commissioned by the Roman nobleman Asdrubale Mattei (1556-1638) for the gallery of his Palazzo Mattei di Giove. Reflecting the artist's as well as his patron's interest in classical antiquity, Cortona combined a classical relief-like composition with specific references to Roman objects and architectural elements in the composition. The subject represents a foolish episode from Solomon's life, when he was lured into the worship of idols by the "foreign" women with whom he kept company.

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  • Title: The Idolatry of Solomon
  • Creator: Pietro da Cortona (Italian, 1596-1669)
  • Date Created: 1622-23
  • Physical Dimensions: Sheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); Secondary Support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.)
  • Provenance: Capitaine C. Prayer (1826-1900), Milan (Lugt 2044), de Bernasconi family, Buenas Aires, by descent to Marià Elvira Celia Méndez de Bernasconi (1927-2005), Buenos Aires (Lugt 5374), Christie's London, 1 April 1987, no. 66., with Kate Ganz, Ltd, London, The Cleveland Museum of Art, Cleveland, OH
  • Type: Drawing
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1987.142
  • Medium: Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink
  • Inscriptions: verso of secondary support, upper center, in graphite: 44; center, in blue ballpoint: Maria Elvira Celia Mendez de Bernasconi [underlined] / 1977; center, in graphite: Paolo Farinato; center, in graphite: [illegible]; lower left, in graphite: [illegible, partially masked]
  • Fun Fact: Pietro da Cortona completed this drawing and the six frescoes related to it for a prominent patron and palazzo in Rome when he was just 27 years old.
  • Department: Drawings
  • Culture: Italy, 17th century
  • Credit Line: John L. Severance Fund
  • Collection: DR - Italian
  • Accession Number: 1987.142
The Cleveland Museum of Art

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