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The Immaculate Conception

Bartolomé Esteban Murillo (Spanish, 1617-1682)c. 1680

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

The doctrine of the Immaculate Conception maintains that the Virgin Mary was conceived free from sin, therefore ready to be the pure vessel for Christ’s birth. The Immaculate Conception enjoyed intense devotion in Spain during the 1600s, although it was only accepted as official doctrine in the 1860s. The abstract subject required artists to develop appropriate imagery. The crescent moon, for example, comes from the New Testament vision of Saint John the Evangelist (Revelation 12:1) of “a woman clothed with the sun, with the moon under her feet.”

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  • Title: The Immaculate Conception
  • Creator: Bartolomé Esteban Murillo (Spanish, 1617-1682)
  • Date Created: c. 1680
  • Physical Dimensions: Framed: 246.3 x 152.7 x 8 cm (96 15/16 x 60 1/8 x 3 1/8 in.); Unframed: 220.5 x 127.5 cm (86 13/16 x 50 3/16 in.)
  • Provenance: Sir Thomas Sebright, Beechwood near Boxmoor, Hertfordshire; [F. Kleinberger &: Co., New York]. Purchase, Leonard C. Hanna Jr. Bequest, 1959.
  • Type: Painting
  • Rights: CC0
  • External Link: https://clevelandart.org/art/1959.189
  • Medium: oil on canvas
  • Department: European Painting and Sculpture
  • Culture: Spain, 17th century
  • Credit Line: Leonard C. Hanna, Jr. Fund
  • Collection: P - Spanish before 1800
  • Accession Number: 1959.189
The Cleveland Museum of Art

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