In the work of Piotr Stachiewicz there is a fascination with folklore, which for many Young Poland painters, who perpetuated the customs, rituals and colourfulness of peasant clothing on canvas, was an expression of patriotic attitudes combined with a belief that Polish art can be revived thanks to the people and nature. He was famous for his subtle depictions of women, often using the motif of a milkmaid who was painted in the traditional Krakow costume, a colourful kerchief on her head, with milk cans carried on her back in a shawl. In the version of the painting owned by the National Museum in Lublin, Stachiewicz combined the lyrical sensitivity of a winter landscape with his typical tendency to idealize the title character and the decorative values of folk costumes. The artist's favourite model - Zofia Frontczakówna, who had been portrayed by him many times - posed for Mleczarka [The Milkmaid]. Coming from a peasant family living in Dubnia near Krakow, the girl was famous for her extraordinary beauty, and for this reason she was called beautiful Zośka. Thanks to her mother's efforts, she quickly gained popularity among Krakow's artists. She was painted by, among others: W. Kossak and W. Wodzinowski.
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