b. 1977, Indonesia; based in Yogyakarta
The year 1998 was a turning point in the political history of Indonesia, when the people challenged and overthrew the Suharto regime. As one of the leading artists from the post-reformation era, Eko’s comic-inspired works reflect on the phenomena that transformed the socio-political landscape in Indonesia. The Monument of 98, which features his part-man-part-machine character, revisits this moment in the transitions towards greater democracy and reflects on the ideals and inspirations that moved so many artists and citizens of his generation.
You are all set!
Your first Culture Weekly will arrive this week.