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The Nativity

Petrus Christusc. 1450

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

The _Nativity_, one of Petrus Christus' most important devotional paintings, emphasizes the sacrificial nature of Christ's coming and shows the scene as part of a chain of events in the story of the Fall and Redemption of humankind. In the foreground, a sculpted archway displays scenes of the Fall as described in Genesis. Below Adam and Eve, Atlas-like figures symbolize humanity burdened by Original Sin. The artist's depiction of the scene is like an act from a mystery or Passion play, the figures clothed in simple Flemish costume and provided with a landscape backdrop of what, at first, appears to be a Netherlandish town. However, with its two domed buildings, it would be understood as Jerusalem, the scene of the events of Christ's Passion.


Christus depicted not only the historical moment of Jesus' birth but also the enactment of the first Mass, an image deriving in part from the revelation of Saint Bridget, which had become the conventional visualization of the Nativity by the early fifteenth century. The angels wear eucharistic vestments of the subministers of the Mass, though none wears the chasuble worn by the principal celebrant, suggesting that Christ himself is here both priest and sacrifice.


More information on this painting can be found in the Gallery publication _Early Netherlandish Painting_, which is available as a free PDF <u>https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/early-netherlandish-painting.pdf</u>

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  • Title: The Nativity
  • Creator: Petrus Christus
  • Date Created: c. 1450
  • Physical Dimensions: painted surface: 127.6 x 94.9 cm (50 1/4 x 37 3/8 in.) overall (panel): 130 x 97 cm (51 3/16 x 38 3/16 in.) framed: 149.2 x 118.4 cm (58 3/4 x 46 5/8 in.)
  • Provenance: Señora O. Yturbe, Madrid.[1] (Franz M. Zatzenstein, Berlin and later London); [2] sold 1930 to (Duveen Brothers, Inc., London and New York); purchased 15 December 1936 by The A.W. Mellon Educational and Charitable Trust, Pittsburgh;[3] gift 1937 to NGA. [1] The picture seems never to have belonged to the Duchess of Parcent, as claimed in _Duveen Pictures in Public Collections of America_, New York, 1941: no. 177; see letter of April 1982 from her daughter, the Princess of Hohenlohe-Langenburg, in NGA curatorial files. [2] Zatzenstein was the founder of the Galerie Matthiesen, Berlin. [3] The original Duveen Brothers invoice is in Gallery Archives, copy in NGA curatorial files. See also Duveen Brothers Records, Getty Research Institute, Series II, Folder 17 (Copies NGA curatorial files).
  • Rights: CC0
  • Medium: oil on panel
National Gallery of Art, Washington DC

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