Cézanne was among the first artists to break with Impressionism and replace its interest in atmospheric effects with a new emphasis on geometric structure. Between 1888 and 1892, he painted two views of the pigeon tower at his brother-in-law's house in Bellevue, a small town in southern France. To make the tower the focal point of the composition, Cézanne exaggerated its cylindrical shape, extending it upward and to the left.
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