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The Pistoia Crucifix

Pietro Taccac. 1600/1616

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

This bronze has been called the most beautiful of many crucifixes ascribed to Pietro Tacca, including examples at the royal monastery of the Escorial in Spain and at the cathedrals of Prato and Pisa. Tacca, son of a marble merchant from Carrara, mastered bronze in Florence as a principal assistant to Giovanni Bologna, whom he succeeded in 1609 as sculptor to the Grand Duke. Although the twisting pose reflects the elegance of the celebrated older master, Tacca's personal pursuit of realism and pathos is revealed in the gaunt figure with protruding bones and also in flesh pushed up by nails, bulging closed eyes, and an aggressively spiky crown of thorns.

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  • Title: The Pistoia Crucifix
  • Creator: Pietro Tacca
  • Date Created: c. 1600/1616
  • Physical Dimensions: overall (corpus): 86.9 x 79 x 20.6 cm (34 3/16 x 31 1/8 x 8 1/8 in.) overall (cross): 167 x 90.1 cm (65 3/4 x 35 1/2 in.)
  • Provenance: Probably made for, or contemporaneously purchased for, Church of S. Maria degli Angeli, Pistoia [convent suppressed 1867, church closed 1886]; art market, Florence, early 1900s; purchased by Count Giorgio Piccolomini Adami [d. 1943], Siena; by inheritance to Contessa Piccolomini, Siena; private collection, Rome, by 1954; private collection, Switzerland, by 1958; purchased 1968 by (Heim Gallery, London); Angus Hood, England;[1] purchased 13 May 1974 through (Heim Gallery, London) by NGA. [1] This object, along with others from the Hood collection, was on deposit at the City Museum and Art Gallery, Birmingham, England, from 1969 to 1973. The Heim Gallery's index card file of objects sold, no. W6298, confirms the Hood collection provenance (Getty Research Institute, Heim Gallery Records, Box 108).
  • Rights: CC0
  • Medium: bronze
National Gallery of Art, Washington DC

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