Critics describe Hafidh Al-Droubi as a scenic painter and he tends to record his impressions of moments in time that have passed over the city or nature. There is an intentional act to shrink people and highlight the importance of the scene, whether a mud house or a tent, and to not overcome the scene of the rural impression by showing its complementary cows, trees and greenery. However, the human person there is, curiously enough, reduced and minimized