Stanley Tigerman’s conceptual collage depicts Ludwig Mies van der Rohe’s iconic Crown Hall for the Illinois Institute of Technology—which houses the School of Architecture—sinking into Lake Michigan. Tigerman’s work is a critique on the state of architectural pedagogy in Chicago and its environs in the late 1970s. By this time, the Postmodern movement was becoming a viable counterpoint to Mies’s Minimalist aesthetic and was being taught at other schools of architecture in the United States.
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