Influenced by the art of Caravaggio for the chiaroscuro contrasts, for the angel bursting on the scene from the top left and for the lingering on realistic details such as the naked feet, the painting describes the renunciation of worldly life by Clare. The beginning of a new cloistered life is established by the cutting of hair, in the presence of spectators dressed with elegant and ornated clothes, which create a strong contrast with the simple Franciscan garments.