The Virgin holds the naked infant Christ who stands on a stone ledge and raises his hand in blessing. We do not know the identity of the saints behind them, but the older one may be Saint Jerome or Saint Anthony Abbot.
The holy characters are portrayed in the Italian countryside, making them appear humble, approachable and down to earth. Setting the Virgin and Child in a landscape was a recent innovation in Italian art, popularised by the Venetian painter Giovanni Bellini.
Francia used his central image of the Virgin and Child several times for other compositions, changing the saints that accompany them. The Madonna and Child with Saints Sebastian and Anthony Abbot (Alte Pinakothek, Munich) is almost identical to the National Gallery’s picture. A full-sized drawing, or cartoon, would have been used to trace and transfer the design. The degree of copying suggests that Francia’s assistants may have been involved in painting these pictures.
Text: © The National Gallery, London
Painting photographed in its frame by Google Arts & Culture, 2023.
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