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The Western Ramparts at Aigues-Mortes

Frédéric Bazille1867

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

In 1867, Frédéric Bazille spent a month in Aigues-Mortes, a fortified medieval town in southern France. Renowned for its well-preserved ramparts and as the launching point for two Crusades, Aigues-Mortes is also conveniently located less than 20 miles from what was the Bazille family property outside Montpellier.


Of the three paintings that Bazille is known to have completed during his sojourn, _The Ramparts at Aigues-Mortes_ most clearly conveys the feel of a sun-drenched Provençal landscape. The sky and water, intersected by the ramparts, are dominated by brilliant blues, greens, and violets. These cool shades form a striking contrast to the warm ocher of the walls, which is echoed subtly in the earth in the foreground. A surviving sketchbook indicates that Bazille searched tirelessly for the perfect vantage point from which to represent the ramparts, but the apparent fluency in the painting’s execution suggests effortlessness rather than toil.

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  • Title: The Western Ramparts at Aigues-Mortes
  • Creator: Frédéric Bazille
  • Date Created: 1867
  • Physical Dimensions: overall: 60 x 100 cm (23 5/8 x 39 3/8 in.) framed: 78.7 x 116.2 x 7 cm (31 x 45 3/4 x 2 3/4 in.)
  • Provenance: Marc Bazille, brother of the artist; his daughter, Mme Meynier de Salinelles-Bazille, Montpellier, by 1935 until at least 1949.[1] (sale, Palais Galliéra, Paris, 19 June 1963, unnumbered); purchased by (Hector Brame, Paris); sold 1963 to Paul Mellon, Upperville, VA;[2] gift 1985 to NGA. [1] Lent by Mme Meynier de Salinelles-Bazille exhibitions in Paris in 1935 and to the Royal Academy exhibition in 1949. [2] Acquisition and source according tp Paul Mellon records in NGA curatorial files.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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