As one of the founding artists of 'Die Brücke' group in 1905, Kirchner is essential to the history of German expressionism, a movement he virtually personifies. Trained in Munich and Dresden, he was attracted to neo-impressionism, van Gogh and tribal artefacts, combining influences from all three in his searingly emotional paintings, drawings and prints. His woodcuts and woodcarvings combine traditional German folk forms with more primitive instincts. His oil paintings, ranging from ambitiously large to intimate in scale, equally show the effects of ethnographic research. The nudes in 'Three bathers' resemble the artist's painted carvings, echoing in turn the sculpted Eves of medieval art as well as African and Pacific statuary. Wearing lipstick and a look of enervation, these Berlin day-trippers huddle defensively in the Baltic waves. Uncannily presaging the coming blitzkrieg, the figures also predict the artist's own deteriorating health. Conscripted in 1915, Kirchner was discharged six months later with tuberculosis.
AGNSW Handbook, 1999.