Loading

Tomtebobarnen, färgplansch till 3:e uppslaget

Elsa Beskowearly 1900s

Nationalmuseum Sweden

Nationalmuseum Sweden
Stockholm, Sweden

The Picture Book tradition is very strong in Sweden. Many of todays books, with their expressive pictorial language, are looked upon as an art-genre in line with poetry and music. Elsa Beskow (1874-1953) was one of its pioneers and her first book The Tale of the little, little, old woman from 1897 was very radical for its time. Over the last 30 years, Nationalmuseum has made a point of presenting artists from that rich tradition like; Ottilia Adelborg, Jenny Nyström, John Bauer and Ivar Arosenius.

For a large number of Swedes, the first words they read came from Do You Want to Read? A schoolbook by Elsa Beskow and Herman Siegvald. Its texts and pictures created a collective childhood memory for generations of Swedish schoolchildren. Elsa Beskow was a member of the National Romantic movement at the turn of the 20th century. Much of what is todaythought of as “typically Swedish” was formed during that period. Her images, especially of the forest, has had a great impact on many Swede’s conception of nature. She portrays nature from the childs perspective, the forest with its rich vegetation towers in front of the viewer.

Show lessRead more
  • Title: Tomtebobarnen, färgplansch till 3:e uppslaget
  • Creator: Elsa Beskow
  • Creator Lifespan: 1874/1953
  • Creator Nationality: Swedish
  • Creator Gender: Female
  • Date Created: early 1900s
  • Physical Dimensions: w310 x h230 cm
  • Artist Information: Elsa Beskow belonged to a large network of women painters, writers and composers. Swedish women artists were priviliged compared to their sisters on the continent. The Academy of Fine Arts and the School of Arts and Crafts in Stockholm was opened to women already in the middle of the 19th century. Elsa Beskow was influenced by the Swedish feminist thinker Ellen Key, whose philosophy dealt with gender issues, sexuality and childcare. In her emancipatory project Key introduced the “social mother” a metaphor for womens political participation in society. Ellen Key wanted to bridge the gap between the public and the private spheres. She questioned the strict division between body and soul and between nature and culture. In her Picture Books Elsa Beskow embraced life as a whole, nature is animated in her sensual pictorial language. She put the child in focus and stressed the significance of play and the use of the imagination. Children should have the right to develop according to their own temperament and not be subjected to rigorous and authoritarian systems of education. The 1880’s were years of expansion for Swedish women artists but at the turn of the century there was a backlash and women’s emancipation was thwarted together with a widespread fear of the “New Woman”. Nationalist ideology reinforced the traditional gender norms and bourgeois women were again inscribed into the private sphere. Women artists work, like Elsa Beskow’s was relegated to the lower echelons of traditional Art hierarchy. Picture Books became associated with “femininity” and was looked upon as an “expected genre” for women artists. Their importance for visual literacy and communication has been underrated since then.
  • Type: Drawing/watercolour
  • Rights: Nationalmuseum
  • Medium: Watercolour
Nationalmuseum Sweden

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Home
Discover
Play
Nearby
Favorites