An ad hoc quasi-modernist sculpture, Tortillas Construction Moduleis made from corn, the archetypal Mesoamerican staple. In a move that reflects his fascination with the ways in which things are constructed, Damián Ortega has stipulated that the work’s components may be rearranged from exhibition to exhibition. The result is an ever-evolving expression of the grid that also functions as an act of dissent, inviting the viewer to think about the possibility of making things using local knowledge and materials, and to consider larger geopolitical issues by looking beyond the formal language of abstraction.
You are all set!
Your first Culture Weekly will arrive this week.