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Saint Peter

Carlo Crivelli1476

The National Gallery, London

The National Gallery, London
London, United Kingdom

This stern and commanding figure is Saint Peter, the first pope and one of the founders of the Catholic Church. He comes from a polyptych (a multi-panelled altarpiece) which Crivelli painted for the high altar of the church of San Domenico, in Ascoli Piceno in the Italian Marche. His hooded eyes gaze intently out at us, while his greying beard, tanned face and deeply lined features, painted with Crivelli’s customary exactness, suggest a life of toil in the open air: Peter was a fisherman on the Sea of Galilee before being called by Christ to join him.

Peter stands on a marble shelf, like a statue, in front of a background of burnished gold which is tooled – patterned with special tools – to look like damask. In a detail typical of Crivelli, his right shoe pokes out over the edge of the marble parapet – as if asking us to kiss his foot, as those admitted to audience with a pope would have done.

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  • Title: Saint Peter
  • Creator: Carlo Crivelli
  • Date Created: 1476
  • Physical Dimensions: 139 x 40.5 cm
  • Medium: Tempera on lime
  • School: Italian
  • More Info: Explore the National Gallery’s paintings online
  • Artist Dates: about 1430/5 - about 1494
  • Artist Biography: Crivelli was born in Venice and probably trained with Squarcione in Padua. He spent most of his life in the Marches (eastern central Italy), after periods in Venice and Zara. Crivelli was active as a painter by 1457 when he was condemned in Venice for adultery. He was very successful as a maker of altarpieces in the Marches. These are especially well represented in the Collection. Crivelli was influenced by the Vivarini at an early stage. From Squarcione, or one of his pupils such as Giorgio Schiavone, Crivelli could learn simulated marble architecture; festoons of fruit; parchment cartellini and music-making putti. Venetian painting up to this point had been dominated by the Late Gothic style, such as that of Jacopo Bellini and his son Gentile. Crivelli was a fine technical painter and his pictures are in a good state of preservation. He had a strong linear decorative sense and was a brilliant colourist. His work was particularly appreciated in the 19th century, as witnessed by the price paid for the Gallery's 'Madonna della Rondine'.
  • Acquisition Credit: Bought, 1868
The National Gallery, London

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