Untitled

Nazza Stencil creates powerful images, with a focus on human rights and contemporary political and social issues.

His huge stencil works adopt traditional printing and engraving techniques, where detailed images are broken down into series of curved lines.

This piece is painted in the grounds of a former detention and torture centre - the ex ESMA. During the dirty war an unknown number of people were abducted and taken to the centre, never to return.