Untitled

Interested in constructivism and geometric trends, his plastic arts research took him on several paths of abstractionism. The piece owned by the Museum of Art (MUSA), shows the serious thought the artist gave to the use of shapes and colors, in order to maintain the unit of a compositional structure whose essential elements are planes segmented by colors with which he builds a new reality. His poetic qualities are reflected in the emotional emphasis that the fields of color radiate, despite their essential geometric simplification.