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View of Rhenen

Jan van Goyen1646

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Jan van Goyen composed this grand, visually compelling panorama of Rhenen, a medieval walled city on the Rhine River, in 1646. Situating the viewer near the winding road that leads to the city, he masterfully captured the overarching sky, undulating terrain, and vast sweeps of Dutch countryside for which that region was known. Van Goyen depicted the scene from a small hill to the east of Rhenen, where he could view the twin-towered Rijnpoort, one of the city’s gates, as well as the majestic tower of the Cunerakerk at the city core. The painting brims with dynamic energy despite its tonal palette of muted ochers and grays. Billowing clouds create patterns of light and shade throughout the sky and across the land, defining the topography, while animals and humans, among them an elegant group of travelers in a horse-drawn coach with equestrian escort, bring added life to the scene.


Van Goyen traveled to Rhenen from his home in The Hague in the early 1640s by way of the Rhine and during that trip executed numerous drawings in and around the city, carefully studying its profile and character. These drawings served him well throughout the 1640s as he painted the city more than 30 times—from the east and from the west, from the water and from land. None of Van Goyen’s extant drawings relate specifically to _View of Rhenen_. However, he must have relied on sketches to compose this masterpiece, which is matched in neither scale nor drama by any other of his views of Rhenen.

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  • Title: View of Rhenen
  • Creator: Jan van Goyen
  • Date Created: 1646
  • Physical Dimensions: overall: 101.6 × 135.26 cm (40 × 53 1/4 in.) framed: 127.64 × 161.93 × 5.72 cm (50 1/4 × 63 3/4 × 2 1/4 in.)
  • Provenance: “Collection of a Gentleman of Nottinghamshire;” (his sale, Christie, Manson & Woods, London, 1846).[1] probably acquired 1878 by H. Smith Wright, Nottingham. Thomas Wright [1773-1845], Upton Hall, between Southwell and Newark, Nottinghamshire. Dr. Abraham Bredius [1855-1946], Amsterdam. Sir George Donaldson [1845-1925], London; purchased 1906 by William A. Clark [1839-1925], New York;[2] bequest 1926 to the Corcoran Gallery of Art, Washington; acquired 2014 by the National Gallery of Art. [1] Information about the 1846 sale, which has not yet been positively identified, is given in Dana H. Carroll, _Catalogue of Objects of Fine Art and Other Properties at the Home of William Andrews Clark, 962 Fifth Avenue_, Part II, Unpublished manuscript, n.d. (1925): 219, no. 317; original manuscript in The Corcoran Archives, Special Collections Research Center, George Washington University Libraries, Washington, DC; copy in NGA curatorial files. [2] The fact that Clark purchased the painting in 1906 from Donaldson is given in the Carroll manuscript (see note 1). However, in a letter of 18 November 1906 to Corcoran director Frederick B. McGuire, Clark mentions that he has had a letter from the previous owner of the work, "Dr. Bredius" (The Corcoran Archives, Special Collections Research Center, George Washington University Libraries, Washington, DC: COR RG 2.0, Director's Records, transcription and summary in NGA curatorial files). This was Dr. Abraham Bredius, whose name is not mentioned in the Carroll manuscript. The exact nature and chronology of Clark's purchase has still to be determined.
  • Rights: CC0
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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