View of the exhibition "Half Eye, Long Face", 2021

Curated by Marta Mestre. Pedro Henriques intervenes in the African "Masks Room" with a set of sculptures that suggest a game between the interior and the exterior of the plane, the cut and the quality that covers the surface, or, as the artist calls them, the verb (the form) and the adjective (color, texture, rhythm). Materiality regains importance and seems to embody possible non-human subjectivities.