Loading

Eckersberg’s modest prospects from Rome were often painted with the motif directly before him. At the time this was still a relatively new practice and the Danish artist became a pioneer of plein air painting as a professor at the Academy of Fine Arts in Copenhagen from 1818 onwards. With the aid of a mathematically meticulous perspective he sought to impose order on the world’s phenomena. This results successfully in a crystal-clear vision of ancient ruins, temples and churches of Rome: they all come forth in the painting, rendering the mood of the South concrete, palpable.

Details

Get the app

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

Flash this QR Code to get the app
Google apps