Violinist

Del Bon was the leader of the Chiarismo. He had a long friendship with Lilloni, Spilimbergo and De Amicis, representing with them the Milan branch of the expressive tendency that, as the name says, enlightens the palette. In particular, in this context Del Bon denounces his progressive approach to a kind expression, almost Chagallian, which consumes the figures. The hand which touches the strings of the violin composes an almost musical construction that has its center in the face, schematic yet rich in happy intimacy. Around, things sail behind the character, counterpointing with different colors never banal the beauty of her green dress.