Virgin and Child

The clear structure of the figure and the shape of Mary’s body, shown through her open cloak, are a result of the influence of the Renaissance, an important characteristic of which is the representation of physical form. At the same time however, especially the lay of the robes comes from the richness of the late Gothic linear style. The creases and deep undercuts of the cloak show parallels to the three-dimensional style of the robes of the figures represented on the Altar of Mary in Krakow, Veit Stoss’ most important work. Stylistic parallels can also be drawn to the high altar at Jacobskirche in Leutschau, the master craftsman of which was influenced by Veit Stoss. The lively exchange between sculptors’ workshops makes it difficult to accurately ascribe individual pieces to an artist. It was increasingly the case that wealthy citizens patronized these workshops, meaning that the portrayal of religious images could be uncoupled from the norms of the institution of the Church. Accordingly, the detailed representation of the middle-class style of clothing of this Madonna reflects the customer’s taste. (Katja Storalow)