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Woman Ironing

Edgar Degasbegun c. 1876, completed c. 1887

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Women at work provided inspiration for Degas. In addition to ballet dancers and cabaret singers, he also painted milliners and dressmakers, laundresses and ironers—such as the young woman here. Writer Edmond de Goncourt described a visit to Degas' studio when the artist showed him "washerwomen and still more washerwomen...." Degas was interested in their movements and postures, the patterns and rhythms of their work. Degas, de Goncourt continued, had gone about "speaking their language, explaining to us technically the downward pressing and circular strokes of the iron, etc...."


Laundresses also appeared as characters in newly popular realistic novels, which detailed the difficult lives of these women. They worked long, hot hours for low wages, and because they wore loose clothing and made deliveries to men's apartments, their morals were often questioned. Degas, however, seems not to have been interested in their social situation so much as in their characteristic gestures—in the line of his ironer's body as she leans into her work, in the soft curtain of color provided by the garments that hang around her, in the crisp shirt folded on the table.

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  • Title: Woman Ironing
  • Creator: Edgar Degas
  • Date Created: begun c. 1876, completed c. 1887
  • Physical Dimensions: overall: 81.3 x 66 cm (32 x 26 in.) framed: 99 x 82.5 cm (39 x 32 1/2 in.)
  • Provenance: Jean-Baptiste Faure [1830-1914], Paris. James F. Sutton [d. 1915]; (his sale, American Art Association, New York, 25 April 1895, no. 164); purchased by Georges Durand-Ruel [1866-1931], Paris, apparently for his private collection; widow, Mme. Georges Durand-Ruel, née Margaret Tierney, Neuilly-sur-Seine, France; to her niece, Mme. Jacques Lefébure, Paris.[1] (Wildenstein and Co., New York); sold 1972 to Mr. Paul Mellon, Upperville; gift 1972 to NGA. [1]The painting probably remained in the Durand-Ruel family collection from Georges' death in 1931 until at least 1947, when it was exhibited at the Durand-Ruel Gallery in New York (other objects in the catalogue which were lent credited owners. No owner is listed for this painting). It was lent by Durand-Ruel to a 1936 exhibition in Philadelphia and published by Rewald in 1946 as in a private collection in Paris. The Lefébure family was related by marriage to the Durand-Ruels. In 1896 Joseph Durand-Ruel, Georges' brother, married Mary Jenny Lefébure [1868-1962].
  • Medium: oil on canvas
National Gallery of Art, Washington DC

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