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Self-Portrait in the Studio

Gillis van Tilborghc. 1645

National Gallery of Art, Washington DC

National Gallery of Art, Washington DC
Washington, DC, United States

Gillis van Tilborgh the Younger's _Self-Portrait in the Studio_ is a delightfully intimate depiction of the artist at work. Portraying himself at about age fifteen, Van Tilborgh sits before his easel, palette in one hand and several brushes in the other. As he turns and stares toward the viewer, his dark eyes, partly opened mouth, and hunched shoulders have a spontaneous character, as though he has been interrupted in the midst of his work. A variety of studio miscellany appears behind the artist, including a jar of oil and bowl for mixing pigments, and pinned to the wall, a freely drawn sketch of a man smoking.


Van Tilborgh was the pupil of his father Gillis Van Tilborgh the Elder and probably of David Teniers the Younger, from whom he derived the pose for this small-scale work. Teniers often depicted drawings tacked to the studio wall in his own work, and Van Tilborgh similarly inserted tacked drawings of genre figures in his paintings. The inclusion of the drawing in this work augments the feeling of authenticity, for artists generally relied on preliminary drawings when executing their paintings. The prominence of the sketch in the Gallery's painting suggests this working process and invites the viewer to imagine the composition in progress on the young artist's easel.

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  • Title: Self-Portrait in the Studio
  • Creator: Gillis van Tilborgh the Younger
  • Date Created: c. 1645
  • Physical Dimensions: overall: 10.8 x 8.9 cm (4 1/4 x 3 1/2 in.)
  • Provenance: (Hartveld Gallery, New York), in 1946.[1] Mrs. Mary van Berg, New York, in 1947.[2] (sale, Christie, Manson & Woods, New York, 15 January 1985, no. 238, as Attributed to Aries de Vois); Otto Naumann and Heidi Shafranek, New York; gift 2003 to NGA. [1] Provenance provided by Otto Naumann. [2] The painting was published in _The van Berg Collection of Paintings_, a catalogue issued by Mrs. Mary van Berg in 1947. The preface describes the paintings included as "rescued from our Brussels home . . . as well as new acquisitions. . ." but gives no further provenance in the individual entries. The painting was not included in the van Berg sale at Sotheby's in London on 25 June 1969.
  • Medium: oil on panel
National Gallery of Art, Washington DC

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