Woman at a Window

Caspar David Friedrich1822

Alte Nationalgalerie, Staatliche Museen zu Berlin
Berlin, Germany

A young woman stands at the window of Friedrich’s studio. It is Caroline, the painter’s wife. With her back to the viewer, she is looking out across the River Elbe to the other side. The bare interior of the studio is composed of strict horizontals and verticals. It seems lifeless and unlived in. The only signs of life are the figure of the woman, the sight of the delicate green of the poplar trees, and the wide springtime sky. In this work, Friedrich has adopted a favorite theme of Romanticism, where the framework of a window links proximity and distance and evokes a longing for the unknown. The outward gaze, contemplating nature, also turns inwards towards the individual’s own spiritual center.

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Details

Title: Woman at a Window
Creator: Caspar David Friedrich
Date Created: 1822
Physical Dimensions: w73.0 x h44.1 cm
Type: Painting
Technique and material: Oil on canvas
Inv.-No.: A I 918
ISIL-No.: DE-MUS-815114
External link: Alte Nationalgalerie, Staatliche Museen zu Berlin
Copyrights: Text: © Prestel Verlag / Alte Nationalgalerie, Staatliche Museen zu Berlin, Photo: © b p k - Photo Agency / Nationalgalerie, Staatliche Museen zu Berlin / Jörg P. Anders
Collection: Nationalgalerie, Staatliche Museen zu Berlin
Artist biography: Caspar David Friedrich was the most important German painter and draughtsman of the early Romantic period. He started his artistic training in 1790 when he became a private student of Johann Gottfried Quistorp in Greifswald. In 1794 he entered the Academy of Copenhagen where he formed his style copying antique sculptures. During this period he served as an apprentice under Christian August Lorentzen and Jens Juel. These artists were exponents of the Sturm und Drang movement which was characterized by individual subjectivity and heightened emotionality. Friedrich settled in Dresden, where he worked in printmaking with etchings and layouts for woodcuts, later turning to watercolours, ink and sepias. From 1801 he made frequent trips to the Baltic coast and various German mountains, drawing inspiration for a number of landscape paintings which soon became his favourite subject. Friedrich won a competition, set up by Johann Wolfgang von Goethe in Weimar in 1805, with his sepia drawings 'Procession at Dawn' and 'Fisher-Folk by the Sea'. He also gained recognition for being the first artist to depict a landscape in an altarpiece, with 'The Cross in the Mountains' (1807) becoming one of his most important artworks. In 1810 he was appointed a member of the Berlin Academy. He was held in high esteem even as far away as Russia, by the Grand Duke Nikolai Pavlovich and the tutor to Alexander II, Vasily Zhukovsky, who supported him by purchasing works himself and recommending him to other nobles. Friedrich’s prestige decreased over the last years of his life when he lived in relative poverty, making him dependent on the charity of friends. Among them were a number of important artists such as Philipp Otto Runge, Georg Friedrich Kersting and Christian Dahl. Friedrich’s compositions are characterized by metaphysical transcendence. His main subjects were landscapes and he forged a new way of depicting nature: often using a ‘back figure’, whereby a figure contemplating the view is seen from behind. His landscapes widely present religious topics, while his winter landscapes show a raw and powerful side to nature of a kind never depicted before. It is purely thanks to Friedrich and other Romantic painters that the genre of landscape painting holds such an important status within Western art as a whole. Among his most famous works are 'The Wanderer above the Mists' (1818), 'Chalk Cliffs on Rügen' (1818), 'The Abbey in the Oakwood' (1808–10) and 'Man and Woman Contemplating the Moon' (1830–35).
Artist Place of Death: Dresden, Germany
Artist Place of Birth: Greifswald, Germany
Artist Dates: 1774-09-05/1840-05-07