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Woman in the Wood

ION ANDREESCU1880

Brukenthal National Museum

Brukenthal National Museum
Sibiu, Romania

There is melancholy and poetry in Ion Andreescu’s landscapes. Impressed by Grigorescu, he used his creation as a model but managed to elaborate an original style. He lived, he felt, he understood and he depicted nature in a different manner. There is a perfect combination of sensitiveness and will which is a synthesis of his profound feelings. Andreescu relishes the beauties of nature and he makes the onlooker feel part of it. In the painting Woman in the Wood the forest is a cathedral, monumental, solemn, solitary, while the human presence is unwonted. The feeling of majesty is enhanced by the deep perspective with rows of trees on either side. Hues of green and brown unite the chromatic, come together in harmony and suggest a deep tranquillity. The enigmatic character in the foreground, a woman, is essential for the composition; she is the link between the onlooker and the landscape; she appears to ignore the onlooker, but, in fact, she invites him to admire the landscape, to move deeper inside the mysterious space of the forest. The chromatic contrast between the background and human presence brings an element of modernity in the construction of the image.

Details

  • Title: Woman in the Wood
  • Creator: ION ANDREESCU
  • Date Created: 1880
  • Physical Dimensions: w65,5 x h95,5 cm (Without frame)
  • Artist Biography: Ion Andreescu’s painting erupted in Romanian art. Nothing seemed to announce the need to convey his feelings through painting. Perhaps he had the premonition of his early death (he died unexpectedly at the age of 39) and he needed to let out his talent and his vision. Surpassing tremendous financial difficulties, he studied at the School of Fine Arts and, in 1872, he became a school teacher in Buzău. There he found himself as an artist; there he painted several themes which will be recurrent in his creation: the forest, the village. In 1878, he went to Paris and attended the Julian Academy. The long summer days he spent painting at Barbizon, where he worked alongside Nicolae Grigorescu whom he had met at the 1873 exhibition “Friends of the Fine Arts” in Bucharest. He was not very happy with his studies at the Julian Free Academy, but was extremely passionate about the innovations brought forth by the impressionists and felt very close to them. The time he spent at Barbizon was significant and very fertile. In 1881 he contributed to the Parisian Salon and both the press and the visitors were impressed. In 1889 he returned to Romania and, fully aware of his terrible illness, he organized an exhibition housed by the Stavropoleos Church. Unfortunately, the 60 paintings he exhibited did not cause the well deserved and much needed recognition and appreciation: he was too modern, too refined and the Romanian public was not able to fully understand him.
  • Provenance: Brukenthal National Museum
  • Type: Painting
  • Medium: oil on canvas

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