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Wooded Landscape at L'Hermitage, Pontoise

Camille Pissarro1879

The Cleveland Museum of Art

The Cleveland Museum of Art
Cleveland, United States

Camille Pissarro depicted this view of Pontoise, the Parisian suburb where he lived at the time, using a range of etching techniques. He evoked the effects of natural light amid the shadowy forest by combining grainy aquatint with softground—a process that creates loose, painterly lines and tone. Although primarily known as painters, many of the Impressionists took up printmaking, developing new techniques to translate the effects of natural light. Pissarro, especially, experimented with etching, working extensively with the technique alongside Edgar Degas around the time this print was made.

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  • Title: Wooded Landscape at L'Hermitage, Pontoise
  • Creator: Camille Pissarro (French, 1830-1903)
  • Date Created: 1879
  • Physical Dimensions: Platemark: 21.9 x 26.9 cm (8 5/8 x 10 9/16 in.); Overall: 26.9 x 35.6 cm (10 9/16 x 14 in.)
  • Provenance: Richard Cole, New York; To his widow, by descent, 1969; [Margo Pollins Schab, Inc., 1000 Park Avenue, New York, NY 10028]
  • Type: Print
  • Rights: CC0
  • External Link: https://clevelandart.org/art/2004.105
  • Medium: softground, aquatint, and drypoint
  • State of work: V/V
  • Inscriptions: lower right, in graphite: C. Pissarro
  • Fun Fact: Pissarro made this print for the journal <em>Le Jour et la nuit </em>that he planned with Edgar Degas, but was never realized.
  • Edition of Work: 50
  • Department: Prints
  • Culture: France, 19th century
  • Credit Line: Gift of The Print Club of Cleveland
  • Collection: PR - Aquatint
  • Accession Number: 2004.105
The Cleveland Museum of Art

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