Adam Pynacker’s atmospheric, idyllic landscapes have a strongly Italianate character, but no documentary evidence exists to prove that he did indeed spend time in Italy. Pynacker’s compositions are quite imaginative, and his landscapes rarely adhere to the classical principles of composition favored by other Italianizing Dutch landscape painters. Apart from individual landscapes, Pynacker also executed a few series of large landscapes that wealthy merchants commissioned to decorate their stately town houses and country estates.
The characteristic features of Pynacker’s style, particularly his use of light to accent figures and foliage as well as the lively rhythms of branches, trees, and shrubbery, are very much evident in this calm work. Small patches of red and the highlights of the white shirts and collars draw our attention to the people, yet the large, twisted tree trunk equally piques our interest. This very early work reflects a Dutch landscape more than an Italianate one.
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