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Yarra flats

Louis Buvelot1871

National Gallery of Victoria

National Gallery of Victoria
Melbourne, Australia

This atmospheric watercolour demonstrates Louis Buvelot’s radically new approach to the depiction of the Australian bush; a clump of trees and scrub taking precedence over the expansive Yarra Valley vista beyond. Buvelot was revered by the younger generation of artists who took up his interest in temporal and seasonal effects and in working en plein air in the settled districts around Melbourne. Australian Impressionist Tom Roberts said that Buvelot ‘began the real painting of Australia’ and his work remained popular during subsequent decades, when other colonial art had fallen from favour. This watercolour was formerly in the collection of Alfred Felton, the National Gallery of Victoria’s greatest benefactor.

Edited from text by Kirsty Grant from On Paper: Australian Prints and Drawings in the National Gallery of Victoria, National Gallery of Victoria, Melbourne, 2003, p. 37 and Terence Lane from This Wondrous Land: Colonial Art on Paper, National Gallery of Victoria, Melbourne, 2011, p. 159.

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  • Title: Yarra flats
  • Creator: Louis Buvelot
  • Creator Lifespan: 03 March 1814 - 30 May 1888
  • Creator Nationality: Swiss
  • Creator Gender: Male
  • Creator Death Place: Melbourne, Victoria
  • Creator Birth Place: Morges, Vaud, Switzerland
  • Date Created: 1871
  • Location Created: Melbourne, Australia
  • Physical Dimensions: 29.2 x 44.7 cm (Image)
  • Type: Drawings
  • Rights: National Gallery of Victoria, Melbourne Bequest of Alfred Felton, 1904, © National Gallery of Victoria
  • External Link: National Gallery of Victoria
  • Medium: watercolour
  • Provenance: Collection of Alfred Felton, Melbourne; by whom bequeathed, 1904
  • Place Part Of: Australia
  • Additional information: The familiarity of Swiss-born Louis Buvelot with the intimate rural landscapes of the painters of the Barbizon School inspired his preference for the quiet and unspectacular aspects of the Australian countryside. He depicted paddocks, water pools, and the gum tree in all its irregular appearance and was praised by contemporary critics for encouraging a new appreciation of the aesthetic merits of the eucalypt: Until very recently, most of us … have been accustomed to despise the irregular forms, the more sombre tints, and the more ragged foliage of the Australian eucalyptus … M. Buvelot has shown us the immense capacity of our sylvan autochthons [native trees] for pictorial treatment (Australasian Sketcher, 5 September, 1874)
National Gallery of Victoria

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