In late June 1962, just six weeks before Marilyn Monroe’s untimely death, Bert Stern took almost 2,600 photographs of the American star over three daily sessions at the Bel-Air Hotel in Los Angeles. Published in Vogue after the actress’s death, this photo shoot later became known as 'The Last Sitting.' Stern’s photographs carry a rare sensual and human vibrancy. Never before had the star allowed a photographer such intimate access, and Stern’s camera captures a revealing, naked portrait of Marilyn the person—a fragile, lonely, flawed woman who would die tragically a few weeks later. In front of the camera, Marilyn transformed into a chameleon, fully immersing herself into whatever role she was meant to play, be it a classic movie star dressed in a lavish fur coat, a pure, virginal character sheathed in an immaculate white veil or a true sex symbol wearing nothing but pearls or diamond necklaces, silk scarves or chiffon roses.