Gerard Vandergucht was an English engraver and art dealer.
Vandergucht, was born in London, the elder son of the Flemish engraver Michael Vandergucht. He was taught engraving by his father, as was his younger brother Jan Vandergucht. Gerard was also taught drawing by Louis Chéron, and studied at Godfrey Kneller's Great Queen Street Academy. He surpassed the restrained style of engraving favoured by his father, and became one of the leading engravers in London by adopting the French method of combining precise engraving with etched tones.
In 1719, he was commissioned by James Thornhill to engrave four designs for the cupola of St Paul's Cathedral. He took over his father's house - the Golden Head in Queen Street, Bloomsbury - following his father's death in 1725. He married Mary Liney on 24 August 1725. They had over 30 children, including the painter and picture dealer Benjamin Vandergucht.
He became a leading publisher of engraved prints and book illustrations, and taught Robert White and Francis Patton.
Vandergucht, was born in London, the elder son of the Flemish engraver Michael Vandergucht. He was taught engraving by his father, as was his younger brother Jan Vandergucht. Gerard was also taught drawing by Louis Chéron, and studied at Godfrey Kneller's Great Queen Street Academy. He surpassed the restrained style of engraving favoured by his father, and became one of the leading engravers in London by adopting the French method of combining precise engraving with etched tones.
In 1719, he was commissioned by James Thornhill to engrave four designs for the cupola of St Paul's Cathedral. He took over his father's house - the Golden Head in Queen Street, Bloomsbury - following his father's death in 1725. He married Mary Liney on 24 August 1725. They had over 30 children, including the painter and picture dealer Benjamin Vandergucht.
He became a leading publisher of engraved prints and book illustrations, and taught Robert White and Francis Patton.
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