Alphonse Osbert was a French Symbolist painter.
Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order of Rosicrucianism.
Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy, and the Church Of Saint-Louis in Vichy. An overview of his career titled 'Le peintre symboliste Alphonse Osbert', written by Véronique Dumas, was published by CNRS in 2005.
Educated at the École des Beaux-Arts, his earliest passion was for the great Spanish masters, particularly Jusepe de Ribera. A shift away from his academic style took place in the late 1880s under the influence of several acquaintances associated with Post-Impressionism and Symbolism. Osbert abandoned naturalistic painting in favour of a Pointillist technique like that employed by Seurat and Signac. Also inspired by Pierre Puvis de Chavannes and the Symbolists, he chose to forsake depiction of real-world subject matter, and developed a poetic visual language of his own. His signature style consists of ghostlike Muses in mysterious landscapes bathed in the unearthly light of a sun or moon, rendered with abundant use of the colour blue. In the 1890s he was associated with Joséphin Péladan and his order of Rosicrucianism.
Osbert's later works include a few commissioned murals, for sites including the Centre Thermal des Dômes in Vichy, and the Church Of Saint-Louis in Vichy. An overview of his career titled 'Le peintre symboliste Alphonse Osbert', written by Véronique Dumas, was published by CNRS in 2005.
Show lessRead more
Wikipedia
Related works from the web