Paolo Veneziano, also Veneziano Paolo or Paolo da Venezia was a 14th-century painter from Venice, the "founder of the Venetian School" of painting, probably active between about 1321 and 1362. He has been called 'the most important Venetian painter of the 14th century'. His many signed and dated works, some in collaboration with his sons, range between 1333 and 1358. He was regarded as the official painter of the Venetian Republic.
He led the development in Venice of the elaborately-framed polytych or "composite altarpiece" form, which became popular all over Italy during the 13th century, partly in response to liturgical changes which placed the priest celebrating mass on the same side of the altar as the congregation, so with his back to them for much of the time. This encouraged the creation of altarpieces behind and above the altar, as a visual devotional focus. He is the oldest Venetian painter whose name is known, and the earliest to paint the new subject of the Coronation of the Virgin.
His style is "still Byzantine", that is to say Italo-Byzantine, but increasingly influenced by the Gothic art developing north of the Alps, and personal elements.
He led the development in Venice of the elaborately-framed polytych or "composite altarpiece" form, which became popular all over Italy during the 13th century, partly in response to liturgical changes which placed the priest celebrating mass on the same side of the altar as the congregation, so with his back to them for much of the time. This encouraged the creation of altarpieces behind and above the altar, as a visual devotional focus. He is the oldest Venetian painter whose name is known, and the earliest to paint the new subject of the Coronation of the Virgin.
His style is "still Byzantine", that is to say Italo-Byzantine, but increasingly influenced by the Gothic art developing north of the Alps, and personal elements.
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