ICHCAP
Department of Heritage, Maldives
Preparation of Laa (Lacquer)
Lacquer pieces are imported from neighboring countries. Different colors of lacquer are created by mixing with coloring pigments.
Melting Laa (Lacquer) (2017/2017) by Department of Heritage of the MaldivesICHCAP
Lacquer melts easily. In the Maldives, it is stuck on a stick and melted over fire.
Scrapping Lacquer Off (2017/2017) by Department of Heritage of the MaldivesICHCAP
Lacquer is scrapped off the stick onto a flat stick while it is hot to add the coloring pigments.
Making Red Lacquer (2017/2017) by Department of Heritage of the MaldivesICHCAP
A pigment locally called uguli is added to the lacquer while it is hot.
Mixing Lacquer and Color (2017/2017) by Department of Heritage of the MaldivesICHCAP
Lacquer is folded after color is added. While constantly being flipped to bring out the perfect hue, it is beaten with a large hammer.
Red Lacquer (2017) by Department of Heritage of the MaldivesICHCAP
This is the technique used in mixing lacquer with any coloring pigment.
Yellow Lacquer (2017/2017) by Department of Heritage of the MaldivesICHCAP
Yellow lacquer is made by using a traditional medicine called Risseyo.
Flattening Lacquer (2017/2017) by Department of Heritage of the MaldivesICHCAP
After a lacquered piece cools down, it is rolled flat and stretched thin.
Cutting Lacquer Strips (2017/2017) by Department of Heritage of the MaldivesICHCAP
The lacquer is then cut into small strips to be used to add color to objects.
Liyun & Laa Jehun
Liyun: The sculpting of wood. Laa jehun is the process of applying lacquer on the object.
Wood Used for Sculpting (2017/2017) by Department of Heritage of the MaldivesICHCAP
Any type of strong wood can be used for this craft. However, the most commonly used wood is Funa (Alexander Laurel Wood).
Kandhu (2017/2017) by Department of Heritage of the MaldivesICHCAP
The sculpting wood is attached to the end with melted lacquer; the metal shafts used to be made out of wood as well. A person pulls on the rope to create a spinning motion.
Sculpting Tools (2017/2017) by Department of Heritage of the MaldivesICHCAP
There are many different sizes and types of tools used to sculpt wood.
Tool Tips (2017/2017) by Department of Heritage of the MaldivesICHCAP
Each tool has a distinctly designed tip in varying shapes and sizes, which is used for different purposes
Sculpting Tools (2017/2017) by Department of Heritage of the MaldivesICHCAP
The sculpting tools are used while the wood is being spun on the Kandhu.
Smooth (2017/2017) by Department of Heritage of the MaldivesICHCAP
The tools have to be used with precision to guarantee that the final product is refined and smooth.
Shape (2017/2017) by Department of Heritage of the MaldivesICHCAP
Bringing out the desired shape takes a lot of time and practice.
First Color (2017/2017) by Department of Heritage of the MaldivesICHCAP
after the piece of wood has been sculpted into shape, lacquer is applied onto it. Yellow is usually the first layer.
Color Application Technique (2017) by Department of Heritage of the MaldivesICHCAP
Lacquer is applied onto the wood as softly and smoothly as possible.
Red Layer (2017/2017) by Department of Heritage of the MaldivesICHCAP
The second layer is applied after the first one is completed. The placement of the color depends on the design chosen by the craftsman. Here, individual artistic taste matters.
Coloring and Engraving Tools (2017/2017) by Department of Heritage of the MaldivesICHCAP
Knife: used for engraving designs. Ihaa Gondi: used to evenly spread the lacquer. Dried coconut palm leaf: used for polishing.
Even Spreading (2017/2017) by Department of Heritage of the MaldivesICHCAP
A piece of wood (Ihaa Gondi) is used to evenly spread the lacquer after it is applied.
Polishing (2017/2017) by Department of Heritage of the MaldivesICHCAP
The red and yellow layers are polished before another layer is applied.
Black (2017/2017) by Department of Heritage of the MaldivesICHCAP
The yellow-coated object is concealed with another lacquer color: black. This is done so that designs can be created when the black layer is scratched off.
Even Texture (2017/2017) by Department of Heritage of the MaldivesICHCAP
The surface is continuously smoothened while applying color to make it as even as possible.
Digging (2017/2017) by Department of Heritage of the MaldivesICHCAP
A special tool is used to dig inside the wood to give it the shape of a container.
Lacquer Smoothening (2017) by Department of Heritage of the MaldivesICHCAP
The ihaa gondi is continuously moved around to uniformly distribute the lacquer across the object
Polishing (2017) by Department of Heritage of the MaldivesICHCAP
After the lacquer is smoothened, the product is polished, giving it a glossy look.
Container (2017/2017) by Department of Heritage of the MaldivesICHCAP
The end product is simple, attractive, and usable.
laa Negun
After the lacquer coats has been applied designs are engraved on the object.
Laa Negun (Engraving Designs) (2017) by Department of Heritage of the MaldivesICHCAP
After applying lacquer, craftsmen scratch the top lacquer layer off, revealing the layer beneath which is in another color to highlight the created intricately beautiful designs.
Engraving on Vase (2017/2017) by Department of Heritage of the MaldivesICHCAP
varying styles of designs can be found on lacquered objects.
Close Up (2017/2017) by Department of Heritage of the MaldivesICHCAP
These intricate designs are made without any stencils, making each artifact a unique one in both design and shape.
The Final Product
There are unimaginably many designs and types of lacquered products, here are some of the examples.
Finished Container (2017/2017) by Department of Heritage of the MaldivesICHCAP
Small lacquered containers like this are very popular for storing jewellery and small belongings.
Colors (2017/2017) by Department of Heritage of the MaldivesICHCAP
Craftsmen conventionally use red, black, and yellow lacquer colors.
New Colors (2017/2017) by Department of Heritage of the MaldivesICHCAP
However, craftsmen improvize new more radiant mixtures of colors.
Boduberu (2017/2017) by Department of Heritage of the MaldivesICHCAP
Boduberu is a traditional drum used during ceremonies and for songs.
Masterpiece (2017/2017) by Department of Heritage of the MaldivesICHCAP
This model of a traditional Maldivian Dhoani is one of the greatest pieces of art ever created. Creating a piece with so much details and intricacy is a meticulous task that can only be completed by the finest of artists.
Exhibition Designed by Hassan Mohamed, Department of Heritage, Maldives
Photography and Videography by Ibrahim Mujah and Hassan Mohamed, Department of Heritage, Maldives
Project Team: Ahmed Zameer, Ibrahim Mujah, Hassan Mohamed, Department of Heritage, Maldives
Special Thanks to Abdul Azeez Abdul Rahman of B. Thulhaadhoo Island for performing Liyelaa Jehun and the generous hospitality given to the Project Team
Project funded by International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region under the auspices of UNESCO (ICHCAP)
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