Dastkari Haat Samiti
Dastkari Haat Samiti
Cheriyal scroll painting (2010) by D. VaikuntamDastkari Haat Samiti
Painting the epics
Scrolls were used as aids for storytelling in oral traditions in many parts of India. In the Telangana region the Kaki Podugollu bards would travel from village to village. These storytellers would commission the Cherial artists to create painted scrolls for them. The original scrolls would be unraveled gradually as the visual backdrop to suit the narration.
The entire scroll could be as long as 45 feet. Stories would usually be from the Mahabharata and Ramayana, the most popular religious epics. The one shown in this picture is based on the life of Rama.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
The painting has various important scenes from the Ramayana. This detail shows Dashratha, Rama’s father, going out to hunt.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
The story of Rama and Sita’s wedding from the Ramayana is a popular subject.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This detail from the Ramayana scroll depicts Rama protecting the sages from the demons while they perform a religious ceremony.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This panel illustrates the episode where Rama frees Ahalya from her curse in the Ramayana.
Celebrating festivals
Along with the stories of the great epics, tales of the exploits of local heroes were also narrated against the backdrop of local festivals and practices. Local festivals like Bathukamma were popular with the painters and bards. This painting is based on the festival of Bathukamma, the worship of the Mother Goddess that celebrates life and nature.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Various scenes associated with the festival feature in the painting. Seen here, is the ritual of a woman offering a garland of flowers for Bathukamma.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
The scroll also illustrates the bounty of the mother Goddess in the form of nature's fertility and its creatures.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Seen here is a woman carrying an offering of cooked food for the Mother Goddess.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
The painting depicts the bard’s role in society. The Haridasu, or the bard, sings to bless villagers with a good harvest, for which a woman offers him a container of grain.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Seen here is a woman offering food to a holy man.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This panel depicts scenes from a wedding, which is a celebration of both, life and nature.
Cheriyal scroll painting (2010) by D. VaikuntamDastkari Haat Samiti
Daily village life
Religious epics, such as the Ramayana, Mahabharata and the Puranas, were popular subjects with Cherial artists and bards. What was unique in this region was that the stories were rooted in the practices and customs of the local communities. While the epics and festivals are popular, inspiration is also drawn from everyday village life.
This Cherial painting is based on local agricultural practices and shows the daily routine of farmers and their families.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This Cherial artwork shows villagers partaking in the bounty of the land as they cook and celebrate. Cooking and feasting are integral parts of post-harvest celebrations in many parts of India.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Men and women work together to perform agricultural tasks. Here, the Cherial art shows a couple at work in the field.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Various scenes from daily village life, like drawing water from the well using a pulley drawn by cattle, are shown in the painting.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Cherial paintings show farmers as industrious and cows as benign. These are subjects to which local viewers relate, as it reflects a part of their familiar lives.
Hunting and gathering story
The storytelling tradition has now been taken over by cinema and television. The original scrolls are no longer in demand. Today, the artists make abridged versions of the paintings to fit into a modern home. While the format is still similar to the original, select scenes are depicted to convey the spirit of the original story instead of all of it. Paintings based on the daily lives of the villagers are quite popular. This painting depicts 'The fruit gatherer and the hunter'.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
In this curious scene, a man is seen pouring food into anthills to feed the ants. This shows respect for all forms of life and nature.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This section of a Cherial painting shows women collecting crabs from the water.
While drawings of human figures, and even foliage, are fairly detailed, the crabs are drawn simplistically and appear almost comical.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This panel depicts hunting. The double-headed eagle symbolises victory.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
Another panel that shows the hunting scenes.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
This scene shows fruits being gathered by a woman, while the man tries breaks the ripe ones from the tree.
Cheriyal scroll painting: Detail (2010) by D. VaikuntamDastkari Haat Samiti
The gathered fruits being taken home.
Cheriyal scroll painting (2017)Dastkari Haat Samiti
Read more about Cherial Scroll Paintings and Masks here:
- Preparing Colours
- Cherial Scroll Painting
Text: Aloka Hiremath,and Jaya Jaitly
Photography:Chirodeep Chaudhuri
Artisans: D. Vaikuntam and family
Ground Facilitator: Shalini Shashi
Curation: Ruchira Verma
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