West Side Story

The musical version of Romeo & Juliet is re-imagined on the streets of New York's Upper West Side.

Leonard Bernstein outside the National Theatre in Washington, DC by Robert H. PhillipsOriginal Source: Library of Congress

A Modern Shakespearean Tale 

West Side Story is based on Shakespeare's classic Romeo and Juliet. The musical's creators reset the story in the west side of New York City during the last days of summer in 1957.

Unidentified male chorus members dancing during rehearsals for musical "West Side Story". (1957/1957) by Martha Swope The New York Public Library for the Performing Arts

Two Gangs

The musical opens with a dance number that establishes the rivalry between two teenage gangs, The Jets and The Sharks. Fueled by ethnic prejudice and the struggle for neighborhood dominance, the gangs are in constant conflict.

Jerome Robbins directing fight scene rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

The Sharks are young Puerto Rican immigrants, lead by Bernardo (played by Ken LeRoy).

Jerome Robbins leading dancers (including Tony Mordente and George Chakiris) rehearsing "Cool" number for West Side Story. (1957/1957) by Friedman-Abeles The New York Public Library for the Performing Arts

The Jets are white, misfit teens lead by Riff (Micky Calin). Although the Jets are mostly boys, a young teenage girl called Anybodys (Lee Becker) is also part of this gang.

Fight scene rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

Riff (a Jet) plans to challenge Bernardo (a Shark) to a rumble at a community dance that evening.

Larry Kert on location in Central Park for publicity for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

Tony

Riff's best friend, Tony, has left the Jets and works at Doc's drugstore. Riff convinces the hesitant Tony to come to the dance with the rest of the Jets. 

Chita Rivera and Carol Lawrence in rehearsal for the stage production West Side Story1 (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

Maria

Bernardo's younger sister, Maria (Carol Lawrence), has recently immigrated from Puerto Rico. She is to be married to Bernardo's friend and fellow gang member, Chino, a man she does not love.

Carol Lawrence, Jerome Robbins, Larry Kert, and the cast in rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

The Dance at the Gym

At the dance, the feud continues, but non-violently, because of the presence of the cops. Still there is line between the two. 

Dancers rehearse choreography for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

The adults, attempting to make peace, ask the teens to dance together as friends.

Dance rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

The two gangs dance, but as a kind of non-violent suggestion of the rumble to come.

Carol Lawrence rehearsing dance scene with unidentified actor for the stage production West Side Story (1957) by Martha Swope and Scenic Design by Oliver Smith, © Rosaria Sinisi The New York Public Library for the Performing Arts

Their Eyes Meet

During the dance, Maria and Tony meet, fall in love at first sight, and dance.

Larry Kert and Carol Lawrence during rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

Bernardo catches Maria and Tony in a kiss. Angry, he separates the two and calls for a "rumble."

Chita Rivera, Larry Kert, and Jerome Robbins during rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

"I just met a girl named Maria"

Tony leaves the dance dreaming about Maria. He searches for Maria, calling out her name. 

Larry Kert and Carol Lawrence performing on fire escape in musical "West Side Story". (1957/1957) by Martha Swope and Scenic Design by Oliver Smith, © Rosaria Sinisi The New York Public Library for the Performing Arts

A window above him opens. It is Maria! He begs to speak to her. Hesitant, Maria meets with him on the fire escape. They kiss, promising to meet the next night at the bridal shop.

Actress Chita Rivera dancing with female chorus members in musical "West Side Story". (1957/1957) by Martha Swope and Scenic Design by Oliver Smith, © Rosaria Sinisi The New York Public Library for the Performing Arts

America

As the rest of the Sharks leave the dance, their girlfriends congregate outside their apartment building.

Chita Rivera and cast in rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

The women discuss the differences between Puerto Rico and America. One of the girls, Rosalia, laments about being homesick. Anita points out the better things America has to offer.

Cool number from West Side Story (1960) by United Artists Corporation The New York Public Library for the Performing Arts

Get Cool, Boy...

Meanwhile at the drugstore, Tony tells his boss (Doc) that he is in love with Maria. Doc warns him there will be trouble ahead. The two gangs have agreed to meet at the drugstore to establish the rules of the fight. As they wait, Riff tells the agitated gang members to "keep it cool". Finally the Sharks arrive. The leaders agree upon a fair fight: fists only with no weapons involved.

Carol Lawrence and Larry Kert in wedding scene from the stage production West Side Story (1957) by Martha Swope and Scenic Design by Oliver Smith, © Rosaria Sinisi The New York Public Library for the Performing Arts

One Hand, One Heart

Maria anxiously waits for Tony at the bridal shop. At last he arrives and together the couple dreams of their future wedding.

Rehearsal for the rumble scene with actors during rehearsal for the stage production West Side Story (1957) by Friedman-Abeles The New York Public Library for the Performing Arts

The Rumble

The two gangs gather under the highway for the fight.

Fight scene rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

Tony has promised Maria he will try to stop the violence. When he tries to do so, the fight begins.

Fight scene rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

Bernardo kills Riff.

Fight scene rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

Enraged by the death of his best friend, Tony kills Bernardo. The police sirens are heard, and the gangs run off.

The Making of West Side Story: I Feel Pretty / Bernstein · Te Kanawa · Edeiken · Zambalis · RéauxCarnegie Hall

Maria and her friends prepare to go out when the rest of the Sharks return from the rumble. She tells them that tonight is her wedding night. Maria and the girls sing a song ("I Feel Pretty") in which Maria celebrates her love and is teased for her unabashed romanticism.

Production Photographs Production Photographs by Paul Fusco and Scenic Design by Oliver Smith, © Rosaria SinisiOriginal Source: Library of Congress

Dream Ballet

Tony crawls through Maria's window and confesses he has killed Bernardo. At first, Maria is upset with him, but when Tony tells Maria he is planning on turning himself into the police, she begs him to stay with her.Maria and Tony dream together of running away to a better place. This leads to a "dream ballet," a popular convention in mid-20th century musicals in which the deepest desires and thoughts of the characters are explored through dance. In the 1957 script, this dream ballet begins with both Jets and Sharks present: "They begin to dance, to play: no sides, no hostility now; just joy and pleasure and warmth. "

Chita Rivera and other dancers during rehearsal for the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

A Message to Deliver

Tony and Maria plan to meet at Doc's Drugstore so they can run away together. As she gets ready to leave, Anita and Officer Schrank arrive. Officer Schrank must get a statement from Maria. She asks Anita to go to the drugstore in her place. The reluctant Anita arrives at Doc's and asks to speak with Tony. The Jets are there and assault Anita with sexist and racist taunts. Furious, Anita lies and tells the Jets that Chino has shot Maria.

Larry Kert and Art Smith in scene from the stage production West Side Story (1957) by Martha Swope and Scenic Design by Oliver Smith, © Rosaria Sinisi The New York Public Library for the Performing Arts

Meanwhile

Hiding out in the drugstore basement, Tony awaits to hear from Doc about Maria. Doc relays Anita's message.

Carol Lawrence in a scene from the stage production West Side Story (1957) by Martha Swope The New York Public Library for the Performing Arts

"There's a place for us"

Tony runs out into the streets, calling for Chino to shoot him, Anybodys tries to stop him. Maria arrives to meet Tony in the alley, as they walk to each other, a gunshot is heard. 

Carol Lawrence and Larry Kert in death scene from the stage production West Side Story (1957) by Martha Swope and Scenic Design by Oliver Smith, © Rosaria Sinisi The New York Public Library for the Performing Arts

Chino has killed Tony. Grief-stricken, Maria tells the gangs they have all killed him with their hatred for each other.

According to legend, Richard Rodgers told the creators to depart from the Shakespearean source and leave Maria alive, saying, "She's dead already."

One by one, the gang members all come together and carry Tony's body away.

Credits: Story

Curated by Misy Singson.
Photographs by: Friedman-Abeles, Martha Swope & Florence Vandamm.

Original 1957 Scenic Design by Oliver Smith, © Rosaria Sinisi

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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