The world of 'design' covers everything from art to tech to textiles. It's where creativity meets practicality. Scroll on, and use the arrows to point, click, and drag your way through 5 museums around the world celebrating the aesthetics and the ingenuity of design.

The V&A, as it's familiarly known, was founded in 1852 and houses the world's largest collection of sculpture, design, and decorative arts (around 2.3 million objects). The museum sits on London's Exhibition Row, along with the Natural History Museum and Science Museum.

The museum's sculpture halls are like no other. The carefully crafted facsimiles and plaster casts in these rooms have educated and inspired artists for over 150 years. But some of its holdings are more recent: in 2015 the museum acquired Nguyen Ha Dong’s app Flappy Bird.

Here you can wander the halls of Italy's Museum of Design in that most famed city of fashion, Milano. Click your way through a timeline of tasteful modern marvels!

Denmark is recognised around the world for setting high standards and creating innovative objects, from LEGO bricks to Arne Jacobsen's Egg chair. Many Danish designers find their imaginations fired by the objects held at the Designmuseum Danmark.

For students of design, the museum is invaluable. Among the physical collection of posters, chairs, and household objects, the library holds a fully annotated and illustrated database of every single piece of furniture made in Denmark between 1900 and 2000.

It always helps when the building itself is a masterpiece. In 2016 the Design Museum moved from a banana warehouse on the banks of the Thames to its new home in the former Commonwealth Institute in Kensington, not far from the V&A.

Standing in the atrium of London's Design Museum, you can fully appreciate the stunning hyperbolic paraboloid roof, which soars over the open space. The upper floors hold the permanent collection, while downstairs are temporary exhibitions.

The sleek metal curves of the Dongdaemun Design Plaza are the unmistakable mark of the late British-Iraqi architect Zaha Hadid, who emphasised the 'transparency, porousness, and durability' of the structure, as well as its ecological features.

The undulating walls and bright, white interior make it look like something from A Space Odyssey. These otherworldly spaces contain the exhibition hall, conference hall, design museum, design lab, and other public event spaces.

During his stay in Litzlberg on the Attersee in the summer of 1907, Klimt discovered a magnificent poppy-filled meadow which he captured in the painting "Poppy Field." The meadow extends across almost the entire surface of the painting.

Narrow fruit trees protrude from the meadow, but their shapes merge so strongly with the grass and flowers that their outlines are barely visible to the observer.

It is only at the top of the picture where it is possible to get a view of the landscape in the background and a narrow strip of sky.

For the painting style of this magnificent meadow scene, Klimt made use of a technique that is unmistakably reminiscent of French pointillism. During this time, French and Belgian pointillism paintings were also very popular in Vienna.

Pointillist works could regularly be seen in the Vienna Secession around 1900. Paintings by Théo van Rysselberghe were exhibited in 1899, followed by works by Paul Signac in 1900. And the great impressionism exhibition of 1903 displayed several major works by Georges Seurat.

However, the pointillist spots of color by Klimt contribute less toward color synthesis, which is based on strict methodology. Klimt's specks and dots act more as a welcome means of achieving an ornamental effect.

For example, Klimt still depicts the large poppy and daisy flowers in the foreground in a very naturalistic way.

It is only when moving backward that they increasingly turn into specks of color. The shape of Klimt's color spots therefore differs according to the spatial distance of the motifs.