Wooden horses (1907-2003) by Veillon, MargoThe American University of Cairo - Libraries and Learning Technologies
A prolific artist and her work
Published works about Margo Veillon (1908-2003) mostly focus on her paintings and drawings in vibrant colors.
But Veillon did not restrict herself to painting: In fact, she loved to experiment with different formats and techniques, including various types of printmaking.
Dancing Lambs (1907-2003) by Veillon, MargoThe American University of Cairo - Libraries and Learning Technologies
Common themes
Margo Veillon frequently treated the same theme in a variety of ways. Among her work, one often finds several preliminary sketches that develop an idea, which eventually culminates in an series of finished works.
Carrying goats over the river (1955) by Veillon, MargoThe American University of Cairo - Libraries and Learning Technologies
This color lithograph and a corresponding aquatint of farmers and their livestock is an example of such are recurring theme.
Utensils store (1907-2003) by Veillon, MargoThe American University of Cairo - Libraries and Learning Technologies
Experimentation
Most of Veillon's prints are undated, so one cannot establish a precise chronology.
However, one can see a clear development in her handling of different techniques.
This linocut is one in a series of Egyptian street scenes. Its composition is unusually stiff for Veillon.
Three kids (1907-2003) by Veillon, MargoThe American University of Cairo - Libraries and Learning Technologies
Mastery of a technique
The colors, textures, and dynamic composition of this linocut make it immediately recognizable as Veillon's work.
Although it is not dated, one may assume that it was created at a later date, when the artist had mastered the technique of the linocut.
Wrinkled woman (1907-2003) by Veillon, MargoThe American University of Cairo - Libraries and Learning Technologies
The Veillon Collection at AUC
The largest collection of works by Veillon is preserved at the American University in Cairo.
If you are interested in studying her prints, or in printmaking techniques in general, please contact AUC Library at rbscl-ref@aucegypt.edu
