Celebrating 15!

Jeffrey Gibson's 'The Animal That Therefore I Am'

Explore how the sculptures that stand in front of the Met went from a concept to a reality

'The Animal That Therefore I Am' (Side Deer) (2025) by Jeffrey GibsonUrban Art Projects

Four animal sculptures stand at the entrance of the Met

The creation started beyond the workshop floor.

The Making of 'The Animal That Therefore I Am' (3D Scan) (2025) by Jeffrey GibsonUrban Art Projects

3D scanning

Our Rock Tavern team made two trips to Gibson's studio and scanned the original maquettes of the deer, hawk, squirrel, and coyote. They then created 3D models from these scans.

The Making of 'The Animal That Therefore I Am' (AR) (2025) by Jeffrey GibsonUrban Art Projects

Augmented reality (AR)

We used AR headsets visualise how certain changes would look in real time, broadening our possibilities even further.

The Making of 'The Animal That Therefore I Am' (PMMA) (2025) by Jeffrey GibsonUrban Art Projects

PMMA

These large prints were prepared for investment casting at our New York foundry and refined to remove any flaws that may have occurred during the printing process.

The Making of 'The Animal That Therefore I Am' (Shell) (2025) by Jeffrey GibsonUrban Art Projects

Shelling

After the PMMA were ready, they were shelled in preparation to be cast in silicon bronze.

The Making of 'The Animal That Therefore I Am' (Pour) (2025) by Jeffrey GibsonUrban Art Projects

Pour

During the casting process, we poured molten metal at approximately 1562 degrees Fahrenheit into the shells, allowing the sculptures to take a form in metal.

The Making of 'The Animal That Therefore I Am' (Divest) (2025) by Jeffrey GibsonUrban Art Projects

Divest

Once the metal cooled, it was removed from the shells, starting with the breaking of the outer layer using hammers.

The Making of 'The Animal That Therefore I Am' (Finishing) (2025) by Jeffrey GibsonUrban Art Projects

Finishing

After the pieces were welded together, our finishing team focused on filling in any holes and ground down the welds on the pieces, ensuring a polished and textured surface.

The Making of 'The Animal That Therefore I Am' (Patina) (2025) by Jeffrey GibsonUrban Art Projects

Patina

Gibson personally supervised the application of the Patina with weathered tones on some of the pieces and deep, darker colours in the others.

'The Animal That Therefore I Am' (Under Squirrel) (2025) by Jeffrey GibsonUrban Art Projects

The meaning

Gibson highlights the interconnectedness between all living things and the environment by selecting four species native to New York.

'The Animal That Therefore I Am' (Hawk) (2025) by Jeffrey GibsonUrban Art Projects

Iconography

It combines Native North American aesthetic traditions and histories with abstracted patterning evoking materials like beading and textiles.

'The Animal That Therefore I Am' (Coyote) (2025) by Jeffrey GibsonUrban Art Projects

Indigenous kinship philosophies

Combined with lectures of Jacques Derrida, Gibson's sculptures emphasise the deep relationship between humans and animals.

'The Animal That Therefore I Am' (Deer) (2025) by Jeffrey GibsonUrban Art Projects

Final heights

The deer stands at 10 feet 3 inches, the hawk at 9 feet 2.5 inches, the squirrel at 9 feet 6 inches, and the coyote at 9 feet 4.5 inches.

'The Animal That Therefore I Am' (Squirrel) (2025) by Jeffrey GibsonUrban Art Projects

Final weights

Together, these four majestic sculptures weigh a total of 5,381.9 pounds. The individual weights of each animal are as follows: the deer weighs 1,195 pounds, the hawk weighs 1,585 pounds, the squirrel weighs 1,361.5 pounds, and the coyote weighs 1,210.4 pounds.

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