In 1952, Insho traveled in Europe to view artistic works. Upon his return to Japan, he began painting, using new colors and simplified or deformed figures as if to sublimate into his works what he had absorbed in Europe.
Locks, Domoto Insho, 1951, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Eight Hours, Domoto Insho, 1951, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Town of Roma, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Bistro in Paris, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Ferry at Grand in Venice, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Houses in the Outskirt of Paris, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Town of Firenze, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Concorde Plaza, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Etoir, Domoto Insho, 1952, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Metro, Domoto Insho, 1953, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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The Cross, Domoto Insho, 1954, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Begining and Ending of Destiny (Pieta), Domoto Insho, 1954, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Begining and Ending of Destiny (Annunciation), Domoto Insho, 1954, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Suspicion, Domoto Insho, 1954, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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The Cross, Domoto Insho, 1954, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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Daily Life, Domoto Insho, 1955, From the collection of: Kyoto Prefectural Domoto-Insho Museum of Fine Arts
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